Dopethrone – “Transcanadian Anger” (2018)

Dopethrone’s new album is like that crackhead that breaks into your house, ravishes the vacuum cleaner, vomits over the kitchen, and then collapses half-dead on your carpet – in a clown costume.

"Transcanadian Anger", with its luridly apocalyptic cover, is the product of a band that’s comfortable with its sound, but more than able to make it do new things on every track.

That’s to say, you know every song is a Dopethrone song, with that trademark shriek trademarking away with the equally trademark guitar sound that drones, thunders, croons and writhes up and down the blues scale like it wants to give it VD. (Presumably, also trademarked.)

Oxygen Destroyer - "Bestial Manifestations of Malevolence and Death" (2018)

What is good in life? Big rubber monsters tw*tting each other and everything else that gets in the way (usually Tokyo), of course.

We are living in a kind of big screen kaiju renaissance right now, as Godzilla (2014), Shin Godzilla (2016), King Kong: Skull Island (2017) and the forthcoming Rampage (2018) all show.

So, big monsters make for big box office, but do they make for great death metal? Seattle Gojira-fanciers Oxygen Destroyer say they do, and their new album "Bestial Manifestations of Malevolence and Death" makes the case very, very forcefully.

Something Bunny: Dubstar – “Disgraceful” (1995)

How best to sum up "Disgraceful", the 1995 debut album by dream pop crew Dubstar? As we’re about to see, there is a lot to say, and it’s very good. But let’s focus on the most obvious thing – the crypto fanny.

Because, on the cover, is, well – let’s just say you don’t need much of a dirty mind to spot what’s being implied here. It practically leaps from behind a (particularly hairy) bush, going RAAAAAAAAR. I dread to think what the rabbit ears represent.

It wasn’t even the original cover, which had a fluffy pencil case filled with a folded over balloon in it. The resulting ninja fanny was so blatant, it gave you a diploma in gyno just by gazing at it. It also looked a lot like the Eye of Sauron, which adds a whole new Freudian subtext to Lord of the Rings.